She gives a very positive review of the movie's aesthetics and the portrayal of the remarkable bravery of many victims and rescuers. But she ends with this:
And yet, in none of these profoundly moving scenes is there even a mention of who might have committed this atrocity. Neither the name al-Qaeda, nor Osama Bin Laden, is so much as whispered.
You might say, "But everyone knows it was al-Qaeda." And you'd be right, but do most Americans really know just who those terrorists were or that they had no connection to Iraq -- that not a single one of them even came from that country? It doesn't sound very important until you realize that various polls over the last five years have reported from 20% to 50% of Americans still believe Iraqis were on those planes. (They were not.) As of early 2005, according to a Harris poll, 47% of Americans were convinced that Saddam Hussein actually helped plan the attack and supported the hijackers. And in February, 2006, according to a unique Zogby poll of American troops serving in Iraq, "85% said the U.S. mission is mainly 'to retaliate for Saddam's role in the 9-11 attacks'; 77% said they also believe the main or a major reason for the war was 'to stop Saddam from protecting al Qaeda in Iraq.'"
The Big Lie, first coined by Adolf Hitler in his 1925 autobiography Mein Kampf,was made famous by Joseph Goebbels, propaganda minister for the Third Reich. The idea was simple enough: Tell a whopper (the larger the better) often enough and most people will come to accept it as the truth. During World War II, the predecessor of the CIA, the Office of Strategic Services, described how the Germans used the Big Lie: "[They] never allow the public to cool off; never admit a fault or wrong; never concede that there may be some good in your enemy; never leave room for alternatives; never accept blame; concentrate on one enemy at a time and blame him for everything that goes wrong; people will believe a big lie sooner than a little one; and if you repeat it frequently enough people will sooner or later believe it."
This is, in fact, just what the Bush administration has been doing ever since 9/11. As a result, in 2005, an ABC/Washington Post poll found that 56% of Americans still thought Iraq had possessed weapons of mass destruction "shortly before the war," and 60% still believed Iraq had provided "direct support" to al-Qaeda prior to the war. In June 2006, Fox News ran a story once again dramatizing the supposed links between 9/11 and Iraq. And, as recently as July, 2006, a Harris poll found that 64% of those polled "say it is true that Saddam Hussein had strong links to Al Qaeda."
The Bush administration's Big Lie has worked very well. Dick Cheney, the point man on this particular lie, has repeated it year after year. In a similar way, George Bush has repeatedly explained his 2003 invasion of Iraq, which had nothing whatsoever to do with 9/11, by insisting that we must fight terrorists in that country so that we don't have to fight them here. (It turned out to be something of a self-fulfilling prophesy.)
Neither these, nor so many other administration statements had a shred of truth to them. Even the President, who repeatedly linked Saddam Hussein to the terrorist organization behind the September 11th attacks, admitted on September 18, 2003 that there was no evidence the deposed Iraqi dictator had had a hand in them. But that didn't stopped the Vice President from endlessly repeating the Big Lie that justifies this country's invasion and occupation of Iraq.
Most of the controversy over World Trade Center has focused on whether, as the fifth anniversary of the attacks approaches, it is still too soon for a cinematic depiction of these horrendous events. For some people, perhaps that may well be the case. I myself don't think it's too soon for such a film; but I do worry that, powerful and evocative as it is, it may, however inadvertently, only deepen waning support for the war in Iraq,
Despite the near flood of documentaries on the terrorist attacks heading toward the small screen this September, Stone's film, for many Americans, may end up being the definitive cinematic record of what it felt like to be inside the hellish cyclone known simply by the numbers 9/11.
To offer a faithful recreation of that historical catastrophe, however, Stone owed viewers the whole truth, not merely a brilliant, graphic portrayal of what happened and how it affected the lives of some of those involved.
As it ends, a written postscript appears that describes what happened to the buried Port Authority policemen, their families, and the ex-Marine who helped rescue them (whose last line is: "We're going to need some good men out there to revenge this"). We learn that the two men survived an unbearable number of surgeries and are living with their families. Next we read that the ex-Marine re-upped and later did two tours of duty in Iraq. At that moment, I wanted to shout out, "Don't you mean Afghanistan?" Then I imagined the satisfaction Dick Cheney and sore-loser Senator Joseph Lieberman would take in this not-quite-spelled-out linkage of 9/11 and Iraq.
I kept waiting for what never came -- even a note in the postscript reminding the audience of those who had actually committed the crime. This is where, by omission, Stone's film ends up reinforcing the administration's Big Lie. You could easily have left the theater thinking that the saintly ex-Marine had gone off to fight those who attacked our country.
That evening, I wrote the words that should have appeared in the postscript: "Government officials later confirmed that the organization which plotted the destruction of the World Trade Center was al-Qaeda, led by Osama Bin Laden, a Saudi Arabian, and Ayman al-Zawahiri, an Egyptian. Nineteen men executed the attacks on the World Trade Center and the Pentagon. Fifteen of them came from Saudi Arabia; the remaining four from Egypt, The United Arab Emirates, and Lebanon. None of them came from Iraq."
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